I’m working towards a show of paintings later this year (details to follow) and have been focusing on some of the material I gathered last summer on the Costa Brava in Spain. One particular view is of a path down to the rocks discovered by accident even though I’ve been near here many times before. I loved the light and the colours but also the way as you approach the distant obscured scene begins to reveal itself. The images are my on-site responses that will inform my studio-based paintings of this view.
58 Trees
Recently I was staying on the Costa Brava, a coastal region of Catalonia, in northeastern Spain, extending for about 120 km along the Mediterranean Sea from the French border at Port-Bou to the resort of Blanes, which is north of Barcelona.
I had never intended to draw the view you see above but after I saw it I couldn’t stop myself. I have been past here many times before, probably a hundred and I have never noticed this incredible arrangement of three or four rows of trees stretching out parallel alongside the road with enticing glimpses of the sea and beach and distant rocks.
I do have a thing for verticality in my picture-making and a thing for trees so I suppose it was inevitable. I would have found it difficult to leave the area knowing I hadn’t drawn it. To appease myself I agreed I’d do just one A3 drawing in pen of a small section of the whole spread. The first drawing I did was the second one in from the right side in the photo above. It took about 2 hours.
I thought that might be it but I found myself back there the next day at the same time (5.30 pm), and then the next day and the next until I had a good wide view of 58 trees in total. It was a bit tricky doing the drawings. I had to stand the whole time and balance my sketchbook on the very thin edge of the wall in front of me with the traffic careering down the hill right behind me. Sometimes a car would slow down to see what I might be fussing over. The driver would be sitting up in the seat craning their neck trying to see what I could whilst keeping an eye on the road. Difficult.
With such a complex view it’s a delicate balancing act working out the composition. I find it’s better to approximate what might go into the drawing, get started, and conduct it as it goes. For me too much thinking and planning erodes the momentum. It’s risky as it means if the scaling is wrong to begin with then either you’ll miss some things out as they don’t make it into the sheet of paper or everything is too small and so there’s too much to draw to fill the sheet. Because it’s a pen drawing I couldn’t erase anything. All mistakes have to be amalgamated.
I met all the local neighbours as they passed. They liked it.
Maybe there’s a painting in there? What do you think? The colours are just amazing too, like nothing you will ever see in the light of England. England has it’s own special light.
Hauser & Wirth Menorca
Last week I found myself near Mahon on the Balearic Island of Menorca. Hauser and Wirth Menorca is a stunning gallery and education centre with a cantina in the natural setting of Illa del Rei, an island in Mahon harbour.
H&W run a ferry out and back from the island. You need to book online. The current exhibition is Rashid Johnson ‘Sodade’ running to 13 Nov.
This is a must do visit. Really! Apart from the exhibition you can have a ramble about the island and intermingle with the outdoor sculpture trail featuring work by Chillida, Bourgeois and Miró. When it gets a bit tiring and hot there’s the cantina to take the edge off. Perfect, no?
Dying sunflower
When I used to go to Italy on a regular basis I would try to go late summer to catch the fields of sunflowers just before they were harvested. I spent a lot of time moving around the landscape looking for the best dying fields. This studio painting is the result of two drawings I made in a field in August 1999. It was so hot the ground around me was cracking with crevices inches wide.
Miami and Tenerife
I have just been into my storage to pull out some work of old. These two paintings date back to 1986!
They´re mixed media on paper about A2 size and they are going into an Air B and B here in Brighton. The deckchair image I made in Miami, a wonderful place I used to go to quite frequently. The other is of the amazing dragon tree in el Parque del Drago, Icod de los Vinos in Tenerife. This tree is a symbol of the island and was declared a national monument in 1917. It´s impressive and a must see!